John Crawley’s The
Myth Makers
reviewed by Sherri Phillips
If you’ve read any of John
Crawley’s novels, you know the man can spin a heck of a good yarn. He made me miss my stop on the subway with
his novella Beyond a Shadow of a Doubt. And now, with his latest novel, The Myth Makers, Crawley owes me several
hours of sleep because while reading it I had no choice but to operate at a
deficit of shuteye. The Myth Makers isn’t just a page-turner, although it’s certainly
that. And it’s not just another mystery,
although it more than pays off the genre’s requisites. Intrigue, double-crosses, high stakes? Check, check, and check. Plus a protagonist, Jack Lawrence, a
journalist for a top newspaper in the country, who is flawed enough to relate
to, smart enough to keep readers off-balance, and funny enough to make you
laugh out loud more than once.
Crawley presents the eponymous
myth on the very first page, an apparently tall tale relayed by a farmer to the
gas station attendant about a guy who drove a car from El Paso to Midland and
back “on a thimble of gasoline.” Or is
it a myth? Imagine for a moment that
such a miracle became possible due to the invention of a super-efficient energy
converter. Other than making your summer
road trip a lot cheaper, how might that affect the world? Oil companies would fall like flies
overnight. Entire Middle East economies
might collapse. Shipping magnates would
crumble. And that would just be the
beginning. In other words, while you and
your kids might be able to drive to Disneyworld for a dime, a lot of very
powerful people wouldn’t be very happy about it. They might go so far as to try to prevent
such a possibility from ever seeing the light of day. Which is exactly what our not-always-intrepid
reporter discovers as he chases down the story, crisscrossing the country in
cars, bars, beds, bikes and airplanes.
As any good reporter would,
Crawley uncovers the evidence, interview by interview, player by player, so
that the fantastical soon begins to sound suspiciously like the truth. Through a plausible panel of scientists, he
explores how such an invention might work, so that when we finally see it in
action (“it” is hilariously and improbably named Sally), we’re already believers. And Crawley uses setting as if it were one
more witness. The whispers of the past
can never be ignored in Alamogordo, first the home of the atom bomb and later
the birthplace of—you guessed it—Sally.
The Myth Makers is about a reporter’s quest for the truth, but lest
that come off as a high-fallutin’ destination, rest assured that the journey
along the way includes some steamy encounters with one very hot redhead, a
gut-splitting and unlikely goliath of a helpmate in West Virginia, a craggy old
editor, and—I kid you not—one very scary encounter with a refrigerator.
What makes a good mystery? Ask a dozen readers and you’ll get a dozen
answers. But here’s a question that I
think readers of The Myth Makers will
answer in unison: Who writes a good mystery?
For my money, John Crawley.
Sherri Phillips’ non-fiction has been
published in two anthologies. She has a
short story coming out this fall in Killing the Angel, a new literary journal, and is currently
at work on her first novel.
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